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F.6 & A Song for Margrit
Vinko Globokar's F.6 consists of an arhythmic melody to be hummed.
Pauline Oliveros' A Song for Margrit, originally written for voice, is an invitation to listen for sounds made by the audience or the environment and to react to them as immediately as possible. The reactions the performer can choose from include vocal sounds, gestures or 'one word at a time from the sentence I listen to you'.
In this fragment I recorded the performance of F.6 & A Song for Margrit — as a combination between Globokar's humming melody and Oliveros' reactions to the ambient sounds — five times at different locations around the Herz-Jesu Kirche in Graz. I then compared the five recordings looking for similar gestures, and edited the video using such gestures to switch from one recording to another, thus establishing connections between unrelated times and spaces.
Graz, 5/09/2024.
Lorenzo Orsenigo, concept - performance and audio-video editing
Alisa Kobzar, Artem Rybchenko - cameras, video and audio recordings.
Pauline Oliveros' A Song for Margrit, originally written for voice, is an invitation to listen for sounds made by the audience or the environment and to react to them as immediately as possible. The reactions the performer can choose from include vocal sounds, gestures or 'one word at a time from the sentence I listen to you'.
In this fragment I recorded the performance of F.6 & A Song for Margrit — as a combination between Globokar's humming melody and Oliveros' reactions to the ambient sounds — five times at different locations around the Herz-Jesu Kirche in Graz. I then compared the five recordings looking for similar gestures, and edited the video using such gestures to switch from one recording to another, thus establishing connections between unrelated times and spaces.
Graz, 5/09/2024.
Lorenzo Orsenigo, concept - performance and audio-video editing
Alisa Kobzar, Artem Rybchenko - cameras, video and audio recordings.
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